Art & Coffee
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On my very first night here, wandering the old thieves' island, I found a striking curved building of wood and glass by the shore. It had banners outside with names of artists I never heard of, so I put a pin in it.Today, with nothing much else to do, I'm coming back to that:
Almost immediately after entering the Astrup Fearnley collection, you'll find yourself facing a crucifixion scene that commands the entire room: Three vats of deep turquoise formaldehyde resting on white marble pedestals, each of them home to a sheep carcass, arms spread wide, ribcage torn open, skull dangling to the side. One pedestal reads BE NOT AFRAID, and I'm trying, I really am.
This work in the entrance hall feels emblematic for the entire collection: It's visceral and beautiful and terrifying — more so than any other museum I can recall.
A Coffee Date
While I was busy looking at art, some of the postdocs I'll be working with have invited me for the 'world's best' coffee the next afternoon. Looking forward to a nice tea and a cinnamon bun or something, I accept and go to sleep.
When I awake around noon, the promised rain has already materialized, and the streets fill with snow-sludge.
The coffee place turns out to be pretty elitist about the whole coffee thing, selling literally only that. No food, no tea. Even milk in your drink is a novel concession. So much for a hot tea & bun.
Well, at least they won the world coffee championship for six consecutive years — dropping out of the contest afterwards to make it less boring. The trophies are lined up on the wall next to the custom-designed cups tailored to each different roast.
I get a cappuccino, which is bearable I guess? I still don't get the fuss.